Countess Mara Men's Vintage Ties fantastic new themes combined with soft colors

Something that some people Countess Mara puzzle is why a woman so bored by the time dark and brooding band was willing to try something new their colors with the latest modern invention of the tie without correspondence to the light. Nothing about Countess Mara ties of the 30, 40 and 50 is strong or as the top color. It is not colorful, but always in good taste. A closer look shows that the Countess Marahas remained true to itself.

Countess Mara Mara de Lucille Bishop was born in 1893 in Rome. She was the daughter of a professor of natural sciences at the University of Rome and his mother was the Baroness Elizabeth de Gleria of Trieste. In a convent school, he studied art, music and design. In 1911 she married a businessman, had three daughters, but the marriage did not last long and they divorced in 1922. He had his mother take care of their children, whileimmigrated to the U.S. in hopes of becoming a professional singer. E 'come to New York and gave many public services and points in 1923 and 1924. In the 10th December 1927 issue of The New Yorker, is one of the ads in the music 'is going on About Town, "the magazine was Lucille De Bishops to the Golden Theatre, Sunday, December 11 evening to perform for anyone interested to listen to" sing Italian songs with unusualGrace. "

Countess Mara's voice was not strong enough to withstand the rigors necessary for a career as a singer, so he settled into a comfortable lifestyle in New York society as the wife of the textile manufacturer Malcolm D. Whitman. How gracious and kind as she, one morning, you may decide not to congratulate the new husband was a tie for sports, but describes him as forget in so many words. The husband asked another interestingTie, he did. Whitman wore black and white geometric constraints in the local racket club, where he was received very well by friends of the couple. Tragedy struck when, in 1932, Mr. Whitman killed himself, and it was not until 1938, Countess Mara has opened the doors to their business. Bored with the traditional colors and patterns, soon stopped the sale of finished silk fabric instead of printing their own designs, and newArguments.

There was nothing boring about Countess Mara neckties. Introduced flora and fauna reports, unusual objects, such as safety pins, playing cards and the devil, as well as more mundane topics such as sports and golf scenes. Most of his reports were of a color or busy couple of blocks of darker, richer tones. The curious thing is why not to show the creative muscles include a lighter color. This is where another pieceof the puzzle helps to explain things.

Countess Mara has always been interested in and respectful of history. Interviewed by the New Yorker in 1949, spent much time talking about the historical development of modern tie in detail and with much enthusiasm. When I check Countess Mara ties, I realize that size is not of their relations, but followed the whims of fashion in the 40 broad and short, thin in the 50and 60, and until the late '60s. Countess Mara respects history as well as fashion trends and relationships from time to time, but whether consciously or not, made ​​a distinction between design and color. He was pleased to introduce the world to maintain ties with the color of the tie, the company was popular when they began their news. While the problems were different than any previously seen was the colorshy and reserved, as it was. Even after his death (the late '60s?), Countess Mara ties have continued to reflect her taste of men wear, love.

Ties & Cummerbunds

Countess Mara Men's Vintage Ties fantastic new themes combined with soft colors